Tashi Trieu
Tashi Trieu is a colorist and finishing artist with over 15 years of experience working in all facets of color grading and visual finishing, from music videos, commercials, pioneering streaming successes, indie features, and studio blockbusters. He honed his craft working at Technicolor, EFILM, Company 3, and Bad Robot on some of the most demanding projects of recent years.
He’s the colorist behind James Cameron’s Avatar: The Way of Water and has lent a pioneering hand in the finishing of Stranger Things, Alita Battle Angel, as well as remasters of Titanic, The Abyss, and The Terminator.
He has played a critical role in modern hits from Marvel, Star Wars, and Avatar franchises as well as Academy award-winning and nominated films such as Gravity, Birdman, Bombshell, Ford v Ferrari, and The Jungle Book.
Alex Exline
Alex Exline is an Emmy Award-winning colorist, editor, and seasoned post-production supervisor with nearly two decades of experience, specializing in documentary features and television.
Alex’s first post-supervisor role was on Glen Campbell… I’ll Be Me (2013), which earned an Oscar nomination and a Grammy award. His portfolio reflects a diverse range of topics, from Alzheimer’s research to biopics on music legends like Linda Ronstadt, David Crosby, and Gregg Allman.
Alex has contributed to significant releases such as Stephen Curry: Underrated and the Netflix docuseries Working: What We Do All Day, executive produced by the Obamas. His most recent project, Chimp Crazy, from the creators of Tiger King, premiered to critical acclaim.
Peder Morgenthaler
Peder Morgenthaler is a colorist, narrative editor, and workflow specialist with over 20 years in post production. With a broad range of experience spanning narrative, documentary, action sports, unscripted TV, and advertising, he’s finished and delivered hundreds of projects to platforms like Amazon, Netflix, Max, HGTV, Comedy Central and Food Network.
His work includes Guy Fieri’s unscripted hit Diners, Drive-Ins and Dives, award-winning docs The Holly and Rolling Papers, international cinema like the Nepali feature Gunyo Cholo: The Dress, event shows like Ralphie May: Too Big to Ignore and Reverend Horton Heat - Live at the Fillmore, as well as brand work for Microsoft, Lexus, Crocs, and more.
In addition to his lead color work, he’s contributed workflow & dailies expertise to projects like Chasing Coral, The Social Dilemma, The Grab and action-sports legend Warren Miller Films’ yearly ski and snowboard epics.